Celine Signoret, lives and works in Paris.
Artistic director of PRYZMA
Modular laments, co-composer at DATATEARS
Co-artistic dir. , staging, choreographer, performer of EIGENGRAU
Artistic collaboration and founding member of (LA)HORDE
Artistic collaboration and rehearsal dir. for the National Ballet of Marseille
Co-artistic dir. , staging, choreographer, performer of [TSO]TAM
Digital poet at EQKO
⎮choreographer⎮ staging⎮sound⎮movie director⎮performer⎮photo model⎮rehearsal direction⎮massage⎮ artistic programmer⎮
Of Franco-Polish origin, Céline Signoret is a choreographer, stage director and perfomer. She nurtures a transversal identity by participating in collaborative projects at the crossroads of live performance and performative art. Her productions take many forms : shows, performances, workshops, art installations, short films and are shown in different countries and places in France and abroad.
After training the piano in her youth, it is by learning contortion that Celine meets the world of performing arts. She graduates from a professional dance school in Paris and works since 2010 with various choreographers awakening her interest in research on different methods of choreographic composition.
She then dedicate herself entirely to the creative process as co-founder and co-artistic director of the contemporary collective (LA) HORDE until 2015 within she co-signs the choreographic works as Void Island, Mummers, Avant les gens
mouraient and more short film Novacieries, awarded several prizes. Nowadays, she continues to work alongside them as an artistic collaborator, in particular on projects with the
Ballet National de Marseille, allowing her to develop her skills in dancers direction and sound management.
The [TSO]TAM team , which she co-directs since 2013, is a more personal
choreographic project allowing her to go even further in her expression and communication work in all its diversity, including music, theatre and improvisation. Eager of new encounters in her artistic environment, she creates with [tso]
tam, Ca Boom ?! festival, a program allowing for 2 years in a row to
bring together and share works of more than 25 companies whose common thread remains movement, creativity and enthusiasm.
Today she continues to cultivate original forms of artistic performance, among others in video production or digital arts such as with EIGENGRAU, a futuristic tale that she co-conceives in the eqko collective, and sound design with DATATEARS, modular laments.
Since 2016, she brings together his own experimental ideas as PRYZMA.
CERTIFICATION CORPORIS FABRICA® - Physio arts & Movement performance
Formation en optimisation et prévention musculo-squelettiques appliquées aux professeurs et pratiquants de disciplines artistiques, corporelles et de mouvement.
En 2022, Céline passe la certification dispensée par Santiago del Valle Acedo, kinésithérapeute et fondateur du centre Corporis Fabrica® , et assoit son expertise du mouvement.
Retrouvez sa fiche parmi les professionnel·les certifié·es : DIRECTORY OF MOVEMENT EXPERTS
AVANT LES GENS MOURAIENT - 2021/22 TOUR
Rework of the choreographic piece Avant Les Gens Mourainent (2014) for the
22 dancers of Jeune Ballet from National Academy of Musique and Dance of Lyon, France (artistic direction Kylie Walters)
Staging and choregraphy : (LA)HORDE -Marine Brutti, Jonathan Debrouwer, Arthur Harel- and Celine Signoret
Assistants : Kevin Martinelli et Edgar Scassa
DATATEARS, Modular Laments
Datatears is a tribute to lost digital souls.
Mourning our data open to corrosion, overwhelmed by the flood of perpetually dying information : an immediate experience of loneliness.
Sound design : Raphaël Foulon et Céline Signoret
Produced with hyper love and melancholia by eqko - digital art and post-analog french sound collective
3 tracks EP out on Martine Ravage Records / Feb 7th, 2022
"Two artists from the eqko collective return with a new creation leading us into a hungry black hole. A deep exploration of modular synth, through three tracks of minimal harsh sound.
Modular Laments by Datatears is a smooth journey into an infinite void with a complex work of raw audio processing and carved white noise."